At its core, an unreliable narrator is a storyteller whose version of events can’t be fully trusted — either because they’re lying, distorted by emotion, confused, or simply limited in perspective.
In literature, it’s a storytelling device:
A character telling the story gives you information that later turns out to be misleading or incomplete.
They might be:
- Lying on purpose
- Delusional or mentally unwell
- Too naive or immature to understand what’s happening
- Biased or emotionally compromised
- Withholding information (from us or themselves)
Purpose: To make the reader or viewer rethink everything — what’s real, what’s interpretation, and who gets to tell the truth.
Why Writers Use It
- To create suspense or surprise
- To mirror real-life subjectivity — no one tells a story without bias
- To explore complex psychological states
- To manipulate the audience — and then pull the rug out
- To create moral ambiguity or critique truth itself
Types of Unreliable Narrators
| Type | Description | Example |
| The Liar | Intentionally deceives | Gone Girl (Amy Dunne) |
| The Madman | Psychologically unstable | Fight Club, Shutter Island |
| The Naïve Child | Too innocent or inexperienced to understand the full story | Room, The Curious Incident of the Dog in the Night-Time |
| The Addict | Under the influence or mentally clouded | Requiem for a Dream, The Lost Weekend |
| The Biased Witness | Tells the story to make themselves look better (or worse) | The Great Gatsby (Nick Carraway) |
| The Amnesiac | Lacks memory, often hides key facts | Memento, Before I Go to Sleep |
Key Techniques Used
- Inconsistencies: Events or details that don’t add up
- Contradictory accounts: Different characters have clashing memories
- Limited POV: We only see what the narrator sees (and miss the bigger picture)
- Shocking twist: The narrator wasn’t who they claimed to be, or reality wasn’t as we were told
- Foreshadowing through tone: Something feels off even before we learn the truth
Famous Examples
The Catcher in the Rye – J.D. Salinger
Holden Caulfield is jaded, contradictory, and deeply emotional. Is he being honest, or is his pain coloring everything?
Lolita – Vladimir Nabokov
Humbert Humbert tries to seduce the reader with language — but he’s clearly manipulating us, and the story is disturbing when read carefully.
Fight Club – dir. David Fincher
Narrator suffers from dissociation. When the reveal comes, it reframes the entire film.
The Sixth Sense – dir. M. Night Shyamalan
The protagonist doesn’t lie, but the story omits key facts — we’re misled by omission.
Life of Pi – Yann Martel
Two versions of the same story — one fantastical, one brutal. Which is true? That’s left to the reader.
How It Affects the Audience
- Forces active engagement — we become detectives
- Makes us question truth and memory
- Reflects real-world subjectivity — no story is purely objective
- Creates deep emotional or moral complexity
We begin to realize: truth in storytelling is never neutral — and who tells the story changes the story.
Connection to Narrative Psychology
Just like in narrative psychology, the unreliable narrator:
- Reveals how memory is selective
- Shows how identity can shape interpretation
- Exposes the gap between story and fact
- Reflects the inner world more than outer events
So, in both fiction and psychology:
The narrator is a lens — not a window.
Unreliable Narrator in Narrative Psychology
In narrative psychology, we are all unreliable narrators — to some degree.
Why? Because:
- Memory is selective and reconstructive
- We’re shaped by emotion, trauma, culture, desire
- We unconsciously filter experiences to protect our identity or make sense of chaos
The life story we tell isn’t false, but it’s always edited, framed, and biased — even when we try to be honest.
This doesn’t make us liars. It just means we’re human.
Examples of Everyday Unreliable Narration
- Remembering a breakup as all their fault — until years later, you see your role too
- Downplaying childhood pain to avoid re-feeling it
- Framing a bad event as “meant to be” — even if that’s not factually accurate
- Forgetting the boring or confusing parts of a story to make it neater
Why It Matters Psychologically
- Self-protection
We often unconsciously distort painful events to preserve our emotional stability. - Meaning-making
We simplify and shape our stories to give life a sense of coherence. - Identity construction
Our life story is part of how we say “who I am” — and we’ll subtly alter the story to keep that identity intact. - Emotional tone
Some people consistently narrate their lives with optimism (redemptive stories), others with pessimism or victimhood (contamination stories).
This tone matters more than the facts, in terms of well-being.
Summary (Psychological Lens)
An unreliable narrator, in narrative psychology, is the self as storyteller — a person who tells the story of their life in a way that is inevitably subjective, emotional, and incomplete.
This is not a flaw — it’s how the human mind works:
- We filter our memories
- We edit our narratives
- And we revise them as we grow
We are all unreliable narrators .

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